What is the best lens for macro photography? A great question to ask ourselves before photographing small things. If you like macro photography and are looking for your next lens, in this post we have compiled some of the best macro lenses for Canon and Nikon. Know more about best charcoal grill.
Any macro lens is extraordinary for daily use or as a telephoto lens for general photography, a versatility that makes them an essential tool. Many macro lenses for Nikon or Canon give sharp results in any circumstance, without distortion, although logically they reach their best performance when we want to take pictures with a reduced focal length.
Each and every one of the macro lenses for Nikon and Canon cameras that we present below offer professional macro capabilities and reliability that allows them to extend their useful life, giving excellent performance for many years. An opportunity to go to the second-hand market with a guarantee of success. You might be interested in best small charcoal grill.
Once these points have been clarified, we can begin to detail the characteristics of the most outstanding macro objectives:
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1. Sigma 105mm f/2.8 OS Macro
Currently we can find dozens of macro lenses for Canon or Nikon but one stands out above the rest: we are talking about Sigma 105mm f/2.8 OS Macro.
For a very reasonable price, this model from Sigma offers an incredible combination: true macro magnification (1:1), sharp optics, excellent build quality, and even some optical stabilization for the added benefit of sharp high-magnification shots. Learn more about barbecue briquettes.
Its 105mm focal length fits the needs of macro photographers, giving you enough working distance to shoot details, without the need to carry long lenses.
Regarding the optics, we can say that the Sigma 105mm f/2.8 OS Macro is sharp across the board with minimal chromatic aberration. Images look great starting at f/2.8, then get even sharper when stopped down to f/4 and f/5.6.
Its great advantage is image stabilization. Many macro lenses do not offer stabilization but it is important to remember that high magnifications increase camera shake while reducing light (a very dangerous combination!). That’s where image stabilization becomes a huge benefit, so you can drop your shutter speed down to the 1/60-1/80s range without sacrificing sharpness.
Honestly, the best thing about the Sigma 105mm f/2.8 OS Macro is that you can get it cheap knowing you won’t have to upgrade in the future, making it the ideal lens for beginners and more professional photographers alike.
It is really useful for macro photographers looking for great image quality, excellent handling and a nice build at a very reasonable price. Undoubtedly, he has earned the top spot in this ranking of the best macro lenses.
2. Nikon 40mm f/2.8G Micro
If you’re looking to get started in macro photography and don’t have the budget for the Sigma 105mm f/2.8 OS Macro, I highly recommend the Nikon 40mm f/2.8.
It offers a 1:1 (true macro) magnification, which means you’ll be able to get that close-up perspective that macro photographers love. The manual focus ring offers just the right amount of rigidity for precision focusing.
Also, the optics are stellar; the Nikon 40mm f/2.8G Micro is fully transparent and remains so throughout the entire aperture range. If you’re looking for gorgeous photos with detailed leaves, flowers, snow, and more, this is a great option. And while it doesn’t have image stabilization, the lens is relatively small and light, meaning you shouldn’t have to worry too much about camera shake.
Its special lightness makes this lens the most suitable lens for traveling of all the options in this guide.
Unfortunately, such a cheap lens has at least one or two drawbacks to consider:
For starters, this is a DX lens, which means you can’t use it on a full frame camera. Assuming you’re working with any of Nikon’s excellent APS-C cameras (such as the Nikon D3500 series, Nikon D5600 series, or Nikon D7000 series), you’ll be fine. In the case of using a full frame camera, or if you plan to take that step in the future, please note that this lens will no longer be useful.
As an added bonus, this lens is just 40mm long. This is a problem for two reasons:
- First, it means that the working distance is small. In other words, if you shoot at high magnifications, the front of the lens will get very close to the subject, and while this is not always a problem, you may cast shadows on your subject or even hit the lens.
- Second, the shorter the focal length, the less background compression the lens offers. It’s not a deal breaker, but longer macro lenses (eg the Sigma 105mm) offer softer, creamier backgrounds compared to a 40mm lens like this.
With that said, the 40mm focal length can be used for strolling photography, street photography, portrait photography, and the like. If you’re just looking to try macro photography, then it’s a great way to get some stunning close-ups. Plus, if you eventually decide that macro photography isn’t your thing, you won’t have to worry about having a long, heavy lens at the bottom of your camera bag.
Ideal to start taking impressive macro photography without having a big budget. A safe bet when choosing a macro lens to get started in photography.
3. Canon EF-S 35 mm f / 2.8 Macro IS STM
To Canon fans I present a lens that literally lights up macro photography.
Designed exclusively for Canon’s APS-C format DSLR cameras, the Canon EF-S 35mm f/2.8 Macro IS STM Lens features a very quiet stepping motor autofocus system that enables “fly-by-wire” manual focusing. by-wire”.
Like its 100mm big brother, it has a Hybrid Image Stabilizer that can correct for shift and shake, making it more effective for close-up photography.
The Canon EF-S 35mm f/2.8 Macro IS STM lens has a relatively short focal length. The front of the lens comes within 3cm of the object you are photographing when using the closest focusing distance for maximum magnification. However, its built-in “Macro Lite” LED helps compensate for blocking out ambient light. Still, its light isn’t particularly bright and you’ll need a slow shutter speed of about 1/15 of a second at f/8 (ISO 200).
Image quality is generally good, but barrel distortion is more noticeable than with most macro lenses. It ‘s perfect for getting great close -ups in low-light conditions.
4. Lensbaby Velvet 85 (f/1.8)
We cannot finish this guide through the fascinating world of macro photography without mentioning the Lensbaby Velvet 85 lens, one of those lenses that you hate or love, why?
The main reason is because this macro lens is designed to offer a characteristic ‘brightness’, which gives artistic, soft and very striking images. It is impossible to remain impassive before the results.
If you like this bright style and want soft-focus macro images, the Lensbaby Velvet 85 lens will be your best friend. You may be in love with the characteristic bright look of this lens without wanting it in all your photos. Don’t worry, with the Lensbaby Velvet 85 lens you really do get the best of both worlds.
Another point to note about the Lensbaby Velvet 85 macro lens is that it delivers smooth and bright images from f/1.8 to f/2.8 or so, after which the images turn sharp. In fact, very, very sharp.
You should keep in mind that the style of the Lensbaby Velvet 85 is quite old, with an aperture ring and a metal body. The lens itself is manual focus only, so if you’re used to using autofocus fairly regularly it’ll take some getting used to.
The 85mm focal length, by the way, is in the ideal range for flower photography. Can there be anything more inspiring for an artist than a flower? Lovers of the Lensbaby Velvet 85 lens have it clear. If you’re looking for a macro lens that will really enhance the artistic look of your photos, choose Lensbaby Velvet 85 . You will not regret!
Ideal for gorgeous macro photography with artistic, soft and “shimmering” focus.
5. Nikon 60mm f/2.8G Micro-Nikkor
The Nikon 60mm f/2.8G lens is one of the smaller macro lenses on this list. Its 60mm is not a great focal length for macro photography as you will have to get very close to your subject to take sharp images, so you risk casting shadows or hitting your subject.
So the inevitable question arises: Who is a lens like this intended for? It can be very interesting for photographers who want a tour lens without giving up macro photography.
Let’s go by parts: the 60 mm lens will be scarce to photograph very small subjects such as insects, although they can work to photograph flowers if we avoid projecting shadows.
However, if you’re looking for a macro lens on the go, the Nikon 60mm f/2.8G has plenty to offer. First, it is light. Really very light. At 425 grams, this lens is easy to hold, without being inconvenient to carry around with you.
Also, it is an extremely sharp lens. Despite its short focal length, the bokeh is decent. It doesn’t overcome the background blur of longer focal length lenses, but this lens gives good results.
If you want a travel lens that can also take some great macro shots, the Nikon 60mm f/2.8G is certainly an option worth considering.
Recommended for photographers looking to experiment with macro photography on the go.
Now that you know the best macro lenses for Nikon and Canon, you can choose without fear of making a mistake because whichever one you choose will lead you to take incredible professional-quality photographs.